
Cross Media Development, Theatre/Multimedia Director, Instructor
South Brisbane Area, Australia

Cross Media Development, Theatre/Multimedia Director, Instructor
South Brisbane Area, Australia
Stephen Atkins, BA Theatre/Art History, MFA Theatre/Film (SFU) has performed, taught and directed in Brisbane, Melbourne,Vancouver, Calgary and Lethbridge. He was a founding member of the Tooba Physical Theatre Centre in Vancouver, BC. and is currently the Artistic Director of Human Theatre and Assosiate Artist with Zen Zen Zo Physical Theatre.
Recent directing credits include The Skriker, by Caryl Churchill. Other selected credits include The Queens for the University of Lethbridge, The Woman, Forever Yours Mary Lou, Mad Boy Chronicle, Woyzeck, Les Belles Souers for Exit22 at Capilano College, Samuel Beckett: 5 Short Pieces for Human Theatre / Zen Zen Zo and Trigger, a collaborative creation.
Writing credits for theatre include Just Measures (1989), Four & Twenty Blackbirds (1992), Black Angels (1997), Dracula (2007) Sub-Con Warrior 2.0 (2008). Articles include Virtual Reality and the Actual Performer (CTR 1994), and several contributions (1994-2005) on science fiction, art history, food and travel.
Film work includes working in the Locations Department for the TV series Psych and 2nd AD on the short film Verna.
Internet experience includes 11 years of website development on projects varying from HSBC, America to one of Canada's first television/internet sites. Stephen Atkins is an amateur photographer.
Current: Stephen Atkins is the Artistic Director of Vancouver-based Human Theatre and an Associate Artist with Zen Zen Zo Physical Theatre in Brisbane, Australia. Stephen is also a faculty member of Capilano College in the Acting for Stage and Screen Program and the Musical Theatre Program where he teaches Voice, Acting, Improvisation & Mask, Creative Movement, Styles and Theatre History. Stephen has also been an advisory Director of Education for the Vancouver Physical Theatre Society.
collaborative writer, development of new works, creative movement and composition, internet development skills
(Partnership; 11-50 employees; Entertainment industry)
August 2007 — Present (2 years 5 months)
Collabration in the development of new works, creating training materials and helping with the delivery of residencies, workshops and intensives.
(Non-Profit; 1-10 employees; Entertainment industry)
February 2006 — Present (3 years 11 months)
(Entertainment industry)
January 1990 — Present (20 years )
Teaching post-secondary level classes in Voice, Creative Movement, Mask, Improvisation, Acting, Scene Study, Acting Styles and Theatre History. Duties include student evaluations, committee work, sitting on the audition panel.
(Self-Employed; Myself Only; Entertainment industry)
September 1993 — January 2008 (14 years 5 months)
Wrote a variety of fiction and non-fiction including full-length plays, a teleplay, theatre journal articles, travel articles and a sourcebook for a science fiction role-playing game.
(Educational Institution; 11-50 employees; Entertainment industry)
August 1994 — December 2007 (13 years 5 months)
Training physical theatre performers in proper use of the voice for the stage. The work concentrated on strengthening the voice and increasing range while maintaining emotional subtlety.
(Internet industry)
May 1997 — August 2007 (10 years 4 months)
Designed internet sites and online solutions for small to medium sized businesses. Client base was focused on the arts and media industries as well as travel and tourism.
(Entertainment industry)
May 2000 — June 2007 (7 years 2 months)
I write travel and entertainment articles under the handle "bon.vivant".
(Educational Institution; Higher Education industry)
January 1988 — December 2002 (15 years )
Occassionally teaching Voice classes and assisting Prof. Marc Diamond with the Black Box Theatre seasons 1990-1994.
(Computer Software industry)
October 2000 — October 2002 (2 years 1 month)
For one and a half years I assisted in the technical research and documentation for this comapny's lead software developer. In the last seven months of my work with Pibase, I was asked to assume a management position over the Vancouver-based product development office. During this time I liaised with overseas clients from Japan, Turkey and France.
(Educational Institution; Higher Education industry)
August 1997 — May 1999 (1 year 10 months)
I was a member of the Theatre Department where I taught, Voice, Acting, Acting Styles and Independent Production. I developed two courses for the department and Directed "The Queens" by Normand Chaurette for the 1998/1999 season.
(Entertainment industry)
September 1990 — May 1996 (5 years 9 months)
I taught voice classes and phychophysical performance techniques to dancers.
Meyerhold Biomechanics 2009 — 2009
Intensive daily study of Meyerhold's Biomechanics
Writing for the Stage and Screen 2009 — 2009
Suzuki Method of Actor Training, Viewpoints and Composition 2008 — 2008
Meisner Technique 2008 — 2008
The Sanford Meisner Center's goal is to get you working professionally. The intensives focus on one of the strongest acting foundation techniques and is delivered by master teachers. In the course of the training you learn how to make this very effective method second nature.
Certificate , Master Class Study in Viewpoints, Butoh and Suzuki Actor Training , 2007 — 2007
Classes included a wde range of master-level skill development. Viewpoints, Butoh and Suzuki Actor Training made up the core of the performance training with academic and practical workshops in advanced business management, networking, audiotion skills and developing new works.
Computer Programming 2000 — 2002
Studied Elements of Programming Logic and completed with a 90% average grade.
MFA , Theatre / Film , 1992 — 1996
This was an Interdisciplinary degree requiring all members to study in two or more areas of the School of Fine Arts. Main areas of study were in Cultural Appropriation and Marginalisation in Contemporary Culture. Extra readings in mimesis and alterity in ritual and contemporary fetishism.pointed me in the direction of my main thesis. It explored inverted ritual and fetishism in the Victorian Gothic Romance. The work culminated in a perormance art piece called "Black Angels", an adaptation of Bram Stoker's Dracula
Linklater Voice Technique, Classical Text, Phonetics 1987 — 1992
During these three intensives I had the opportunity to work with David Smukler, Dale Genge, Linda Putnam, Rod Menzes and Judith Koltai among the other great professionals tat teach there. The five-week, all-day course of study was an incredible experience of group exploration, professional skills development and ensemble support. Each time deepened my knowledge of the work.
BFA , Theatre , 1985 — 1988
I was a busy undergrad. I performed in 5 department productions 3 student projects, 1 student film and 1 Fringe show. Main academic interests were in Art History and Political Science / Philosophy. Enjoyed Arts in Context and elected to do four semesters, studying the periods of Art History betweeen 12th Century to Early 20th Century. My favourite elective was in the Criminology Department; Crime, Poverty and Madness in Early Modern England. (It could have been the title of a play by Peter Weiss.)
Certificate , Theatre , 1982 — 1984
Study included basic classes in core performance and technical training: 2 years of base study in Dance (Jazz, Ballet, Modern), Corporeal Mime, Acting, Directing, Stagecraft and Design.
High School , 1980 — 1982
Theatre, Film, Opera, Art Hisotry, Interactive Media Design, Travel and Food Writing, Photography
Member of VASTA (Voice and Speech Trainers Association), Member of DGC (Director's Guild of Canada), Member of CAE (Canadian Actors Equity), Member of IFTR-FIRT (International Federation for Theatre Research), Wiki contributor and editor, supporter of local arts and training opportunities.